Maximilian Voloshin’s japanese print collection in the context of european orientalism

Autor

  • DARYA KOLTSOVA Kharkiv State Academy of Design and Art, Ukraine

DOI:

https://doi.org/10.15503/jecs20132.316.324

Słowa kluczowe:

Japanese woodblock prints, Ukiyo-e, Orientalism, Japanism, Voloshin, col-lecting activity

Abstrakt

The paper is concerned with Maksimilian Voloshin’s Japanese woodblock print collec-tion. It starts with a short historical sketch of Orientalism in Europe and Russia, illustrating various highlights and the evolution of the image of the East in the minds of Europeans, and designed so that the emergence of Voloshin’s interest in Japanese art and his activity of collecting Ukiyo-e prints can be considered in the context of European Orientalism.

##plugins.generic.usageStats.downloads##

##plugins.generic.usageStats.noStats##

Pobrania

Opublikowane

2020-01-10

Jak cytować

KOLTSOVA, D. . (2020). Maximilian Voloshin’s japanese print collection in the context of european orientalism. Journal of Education Culture and Society, 4(2), 316–324. https://doi.org/10.15503/jecs20132.316.324

Numer

Tom 4 Nr 2 (2013): Journal of Education Culture and Society

Dział

EXPRESSION

Licencja

CC-BY

Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal. All authors agree for publishing their email adresses, affiliations and short bio statements with their articles during the submission process.